大海啊故乡

社会赋予艺术家的任务，是让他们尽量从表现美和创造美的角度出发，更多的用触及心灵的声、色和形来提升人们真、善、美的情感。这必须是一种远离说教的、致力于“大美”的行为。 

当画家不再满足于被动的反映客观对象，绘画就逐渐走向具有主观表现意图的、看起来更富形式感及抽象意味的风格。这种主观的将画面用合适的色彩或线条进行构图和布置的过程，本身就有着思想性。

——黄俊清

哈尔滨东郊

流彩

读之喜由心生，一份持之不变的艺术真诚，简单又丰富多彩的美，构成于天然又抒画于畅然，色彩常有精妙之处，透明而有层次与深度，可赞可贺可喜！心豁然而静穆，意隽永而俊清；保持人格之原态，君子务本，行之当高远。  

——洪瑞生

黄俊清的水彩画，淡雅清新，不经意间透出了学识和修养。很好地发挥了水与彩两方面的语言特点，轻松明快简捷律动，渐具风格。

  ——李全淼

色彩构成突破了完型，笔法简练，不媚俗，趣味纯正。再积累数年，必有成果。 

——丁一林

画如其人，干净整洁，文雅清心。

——童炎

My first impression when I enjoyed Huang Junqing’s paintings was his inspiration must come about instantly and creative work finished at a stretch. The sceneries have been endowed with freshness, natural grace, transparency and radiance. In the watercolours, the painter portrays water with facility, making the scenery full of poetic quality and comfort. Similarity and un-similarity coexist. Accidental scene shows the sharpness and meticulosity of the painter in discovering concurrence of nature and art. 

In my opinion, the charm in Huang Junqing’s paintings does not only lie in his eyes and the height of art his hands have reached, but more importantly, the mental state, temperament and attitude as shown at his spiritual level. Looking at the “source of river”, Huang Junqing’s exploration in painting roots in his love for nature and personal experience as well as his “bright” attitude towards livelihood and life. 

——Qin Jian